{"id":1368,"date":"2020-05-17T13:02:26","date_gmt":"2020-05-17T13:02:26","guid":{"rendered":"https:\/\/www.soleil-noir.me\/blog\/?p=1368"},"modified":"2022-11-15T07:23:22","modified_gmt":"2022-11-15T07:23:22","slug":"last-temptation","status":"publish","type":"post","link":"https:\/\/www.soleil-noir.me\/blog\/last-temptation\/","title":{"rendered":"THE LAST TEMPTATION \u6700\u5f8c\u7684\u8a98\u60d1"},"content":{"rendered":"\n
\u4eba\u7684\u4e00\u751f\uff0c\u81f3\u5c11\u6709\u4e09\u6b21\u6539\u8b8a\u81ea\u5df1\u547d\u904b\u7684\u6a5f\u6703\u00b7\u00b7\u00b7<\/pre>\n\n\n\n
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The Road not Taken<\/p>\n\n
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\u7f85\u4f2f\u7279\u2027\u5f17\u7f85\u65af\u7279
(Robert Frost [1])<\/em>
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\u57fa\u7763\u4e0a\u683c\u683c\u4ed6\u5c71<\/strong>(Golgotha, \u0393\u03bf\u03bb\u03b3\u03bf\u03b8\u1fb6\u03c2, [2])\u7684\u6545\u4e8b\u5df2\u7d93\u88ab\u50b3\u980c\u6b4c\u8a60\u4e86\u7121\u6578\u4e16\u4ee3\uff0c\u9664\u4e86\u201c\u507d\u7d93<\/strong>(Pseudepigrapha, \u03c8\u03b5\u03c5\u03b4\u03ae\u03c2 \u1f10\u03c0\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae, [3])\u201d\u548c\u6c11\u9593\u50b3\u5947\uff0c\u552f\u6709\u99ac\u4e01\u2027\u65af\u79d1\u585e\u65af<\/strong>(Martin Scorsese, [4])\u7684\u96fb\u5f71\u9020\u6210\u4e86\u8ed2\u7136\u5927\u6ce2\uff0c\u9019\u90e8\u96fb\u5f71\uff0c\u5728\u8a31\u591a\u5929\u4e3b\u6559\u548c\u57fa\u7763\u6559\u4fe1\u4ef0\u5360\u7d71\u6cbb\u4e3b\u5c0e\u5730\u4f4d\u7684\u570b\u5bb6\u906d\u5230\u5c01\u6bba\u548c\u53d6\u7de0\uff0c\u751a\u81f3\u88ab\u5217\u70ba\u4e0d\u53ef\u8a00\u8aaa\u4e4b\u7981\u5fcc\u3002\u9664\u4e86\u65af\u79d1\u585e\u65af\u5c0d\u65bc\u5c3c\u53ef\u65af\u2027\u5361\u8d0a\u624e\u57fa\u65af<\/strong>(\u039d\u03af\u03ba\u03bf\u03c2 \u039a\u03b1\u03b6\u03b1\u03bd\u03c4\u03b6\u03ac\u03ba\u03b7\u03c2, Nikos Kazantzakis, [5])\u5c0f\u8aaa\u4ee4\u4eba\u9707\u9a5a\u7684\u5287\u672c\u6539\u7de8\u4ee5\u5916\uff0c\u4ed6\u9084\u628a\u57fa\u7763\u63cf\u7e6a\u6210\u4e00\u500b\u6709\u8840\u6709\u8089\uff0c\u4ff1\u6709\u4eba\u6027\u7a2e\u7a2e\u5f31\u9ede\uff0c\u88ab\u4e00\u500b\u4e0d\u660e\u4e0d\u767d\u7684\u555f\u793a\u63a8\u4e0a\u8056\u5b50\u4e4b\u8def\uff0c\u751a\u81f3\u4e0d\u80fd\u8b58\u7834\u9b54\u9b3c\u6492\u65e6<\/strong>(\u05e9\u05b8\u05c2\u05d8\u05b8\u05df, \u03a3\u03b1\u03c4\u03b1\u03bd\u1fb6\u03c2, Satan, [6])\u8a98\u60d1\u7684\u51e1\u4eba\u3002\u9019\u5c0d\u65bc\u90a3\u4e9b\u628a\u4fe1\u4ef0\u8996\u70ba\u795e\u8056\u4e0d\u53ef\u4fb5\u72af\u7684\u8654\u8aa0\u6559\u5f92\u4f86\u8aaa\uff0c\u4e0d\u557b\u65bc\u662f\u893b\u7006\u8207\u5192\u72af\u3002\u6211\u73fe\u5728\u9084\u8a18\u5f97\uff0c\u7576\u6211\u7b2c\u4e00\u6b21\u5728\u8ab2\u5802\u4e0a\u64ad\u653e\u9019\u90e8\u96fb\u5f71\u7684\u6642\u5019\uff0c\u5c31\u6709\u4e00\u500b\u7be4\u4fe1\u57fa\u7763\u6559\u7684\u5c0f\u7537\u5b69\uff0c\u8dd1\u4e0a\u8b1b\u53f0\u4f86\u963b\u6b62\u6211\u3002\u4e0d\u904e, \u201c\u4e0a\u5e1d\u6b78\u4e0a\u5e1d\uff0c\u51f1\u6492\u6b78\u51f1\u6492(Render unto C\u00e6sar the things that are C\u00e6sar’s, and unto God the things that are God\u2019s. \u1f08\u03c0\u03cc\u03b4\u03bf\u03c4\u03b5 \u03bf\u1f56\u03bd \u03c4\u1f70 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03bf\u03c2 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03b9 \u03ba\u03b1\u1f76 \u03c4\u1f70 \u03c4\u03bf\u1fe6 \u0398\u03b5\u03bf\u1fe6 \u03c4\u1ff7 \u0398\u03b5\u1ff7. [Matthew 22:21], [7])\u201d<\/span><\/strong>\u3002\u6bcf\u500b\u82f1\u96c4\u50b3\u8aaa\u5728\u6bcf\u500b\u6642\u4ee3\u90fd\u6703\u4ff1\u6709\u4e0d\u540c\u7684\u8a6e\u91cb\u548c\u89e3\u8b80\uff0c\u5728\u6211\u5011\u9019\u500b\u8996\u89ba\u5a92\u9ad4\u76db\u5bb4\u6b61\u6109\u7684\u6642\u4ee3\uff0c\u70ba\u751a\u9ebc\u4e0d\u53ef\u4ee5\u5c0d\u4e00\u500b\u7d04\u5b9a\u4fd7\u6210\u7684\u50b3\u5947\u9032\u884c\u53e6\u4e00\u7a2e\u89e3\u91cb? \u85dd\u8853\u672c\u5c31\u61c9\u8a72\u6311\u6230\u9673\u898f\u8207\u6b0a\u5a01\uff0c\u6c92\u6709\u8868\u9054\u81ea\u7531\uff0c\u4f55\u4f86\u5275\u9020?<\/span><\/strong><\/p>\n\n\n
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\"\"<\/figure><\/div>\n\n\n
\u57fa\u7763\u5728\u6b77\u7d93\u6d41\u4ea1\u3001\u653e\u9010\u3001\u76e3\u7981\u53ca\u6b7b\u4ea1\u7684\u78e8\u96e3\u548c\u5c48\u8fb1\u5f8c\uff0c\u5728\u4ed6\u80cc\u8ca0\u5341\u5b57\u67b6\u767b\u4e0a\u683c\u683c\u4ed6\u5c71\uff0c\u88ab\u65bd\u4ee5\u78d4\u5211<\/strong>(Crucifixion of Jesus, crucifixio, [8])\u7684\u6642\u5019\uff0c\u6492\u65e6\u5316\u8eab\u5929\u4f7f\uff0c\u5f15\u8a98\u4ed6\u96e2\u958b\uff0c\u5e36\u8457\u4ed6\u5a36\u4e86\u62b9\u5927\u62c9\u7684\u5993\u5973\u746a\u5229\u4e9e<\/strong>(Mary Magdalene, \u05de\u05e8\u05d9\u05dd \u05d4\u05de\u05d2\u05d3\u05dc\u05d9\u05ea, \u039c\u03b1\u03c1\u03af\u03b1 \u1f21 \u039c\u03b1\u03b3\u03b4\u03b1\u03bb\u03b7\u03bd\u03ae, [9]), \u4e26\u958b\u59cb\u63a5\u8e35\u800c\u4f86\u7684\u5a5a\u59fb\u5bb6\u5ead\u751f\u6d3b\uff0c\u7d42\u81f3\u81e8\u6b7b\u4e00\u523b\uff0c\u4ed6\u7684\u5341\u4e8c\u4f7f\u5f92<\/strong>(Apostles, \u0391\u03c0\u03cc\u03c3\u03c4\u03bf\u03bb\u03bf\u03c2, [10])\u73fe\u8eab\uff0c\u6253\u7834\u4e86\u6492\u65e6\u7684\u9670\u8b00\u548c\u82b1\u62db\uff0c\u57fa\u7763\u610f\u8b58\u5230\uff0c\u9019\u7a2e\u7a2e\u4e16\u4fd7\u751f\u6d3b\u7684\u60c5\u666f\uff0c\u53ea\u662f\u6492\u65e6\u65bd\u5c55\u7684\u5c0f\u5c0f\u628a\u6232\u8207\u9ec3\u7cb1\u4e00\u5922\uff0c\u7576\u4ed6\u6700\u7d42\u5728\u5341\u5b57\u67b6\u4e0a\u518d\u6b21\u775c\u958b\u773c\u775b\u7684\u6642\u5019\uff0c\u4ed6\u7684\u50b3\u5947\u5beb\u5c31\uff0c\u795e\u5287\u7d42\u65bc\u843d\u5e55\u3002<\/p>\n\n\n
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\"\"<\/figure><\/div>\n\n
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\"\"<\/figure><\/div>\n\n\n
\u975e\u5e38\u6709\u8da3\u7684\u662f\uff0c\u9664\u4e86\u5993\u5973\u746a\u5229\u4e9e\u53ca\u57fa\u7763\u7684\u6539\u7de8\u4ee5\u5916\uff0c\u80cc\u53db\u8005\u7336\u5927<\/strong>(Judas Iscariot, \u05d9\u05d4\u05d5\u05d3\u05d4 \u05d0\u05d9\u05e9-\u05e7\u05e8\u05d9\u05d5\u05ea, \u1fda\u03bf\u03cd\u03b4\u03b1\u03c2 \u1fda\u03c3\u03ba\u03b1\u03c1\u03b9\u03ce\u03c4\u03b7\u03c2, [11])\uff0c\u5247\u5b8c\u5168\u6210\u70ba\u4e00\u500b\u6b63\u9762\u5f62\u8c61–\u5f9e\u4e00\u958b\u59cb\u662f\u5617\u8a66\u8b00\u6bba\u57fa\u7763\u7684\u6bba\u624b\uff0c\u518d\u5230\u4ed6\u7684\u7b2c\u4e00\u500b\u8ffd\u96a8\u8005\uff0c\u5805\u5b9a\u7684\u634d\u885b\u8005\u548c\u6230\u58eb\uff0c\u5230\u6700\u5f8c\u70ba\u4e86\u6210\u5168\u57fa\u7763\u7684\u5049\u5927\u800c\u7518\u7576\u201c\u53db\u6559\u8005<\/strong>(Apostasy, apostas\u012da, \u1f00\u03c0\u03bf\u03c3\u03c4\u03b1\u03c3\u03af\u03b1, [12])\u201d, \u80cc\u8ca0\u5343\u53e4\u7f75\u540d\u7684\u60b2\u60c5\u4eba\u7269–\u7336\u5927\u5f9e\u4e00\u958b\u59cb\u7684\u61a4\u6012\u3001\u61f7\u7591\u3001\u5805\u5b9a\u5728\u5230\u6700\u5f8c\u7684\u8acd\u8a00\uff0c\u6210\u70ba\u4e00\u500b\u8cab\u7a7f\u5287\u60c5\u7684\u95dc\u9375\u6027\u4eba\u7269\uff0c\u5176\u91cd\u8981\u6027\u50c5\u6b21\u65bc\u57fa\u7763\u3002\u5982\u679c\uff0c\u6bcf\u4e00\u90e8\u6b77\u53f2\u90fd\u662f\u4e00\u90e8\u7576\u4ee3\u53f2(ogni vera storia e storia contemporanea, [13])\uff0c\u90a3\u70ba\u751a\u9ebc\u6bcf\u4e00\u500b\u50b3\u5947\u4e0d\u53ef\u4ee5\u662f\u4e00\u500b\u7576\u4ee3\u7684\u50b3\u5947\u5462?<\/span><\/strong><\/p>\n\n\n
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\"\"<\/figure><\/div>\n\n\n
\u57fa\u7763\u6b77\u7d93\u4e86\u56f0\u60d1\u3001\u61a4\u61e3\u3001\u5805\u5b9a\u3001\u7336\u8c6b\u548c\u9003\u907f\uff0c\u4ed6\u5728\u6c99\u6f20\u88cf\u904a\u8569\u3001\u5c0b\u627e\u555f\u793a\uff0c\u4ed6\u5728\u4eba\u7fa4\u88cf\u4f48\u9053\uff0c\u805a\u96c6\u4fe1\u5f92\uff0c\u4ed6\u5728\u795e\u6bbf\u88cf\u5486\u54ee\uff0c\u6fc0\u8d77\u6c11\u773e\u6012\u706b\uff0c\u4ed6\u9084\u6b77\u7d93\u904e\u6b0a\u529b\u3001\u8ca1\u5bcc\u548c\u540d\u671b\u7684\u8a98\u60d1\uff0c\u4f46\u6700\u7d42\uff0c\u50c5\u5728\u4ed6\u88ab\u91d8\u4e0a\u5341\u5b57\u67b6\u7684\u90a3\u4e00\u523b\uff0c\u5e73\u51e1\u751f\u6d3b\u7684\u8a98\u60d1\uff0c\u624d\u8b93\u4ed6\u5e7e\u4e4e\u6c88\u6dea\u5176\u9593\u4e26\u6b77\u7d93\u4e86\u666e\u901a\u4eba\u751f\u6d3b\u4e4b\u9ede\u9ede\u6ef4\u6ef4\u3002\u7e31\u89c0\u6240\u6709\uff0c\u82b8\u82b8\u773e\u751f\u6240\u9078\u64c7\u7684\u5e73\u5e38\u9053\u8def\uff0c\u624d\u662f\u6700\u4ff1\u6709\u8a98\u60d1\u529b\u548c\u8150\u8755\u6027\u7684\uff0c<\/span><\/strong>\u6b0a\u529b\u3001\u8ca1\u5bcc\u548c\u540d\u671b\uff0c\u51e1\u6b64\u7a2e\u7a2e\uff0c\u4e0d\u904e\u662f\u4f9d\u8a17\u65bc\u751f\u6d3b\u672c\u8eab\u7684\u9bae\u8c54\u8272\u5f69\u548c\u9583\u720d\u5149\u8292\uff0c\u7336\u5982\u6735\u6735\u6d6a\u82b1\u5728\u708e\u708e\u70c8\u65e5\u4e0b\u53cd\u5c04\u51fa\u8272\u5f69\u6591\u6595\u800c\u7d62\u9e97\u4e4b\u6ce1\u6cab\uff0c\u552f\u6709\u7121\u7aae\u7121\u76e1\u7684\u5e73\u51e1\u751f\u6d3b\uff0c\u5982\u6d6a\u6fe4\uff0c\u5982\u540c\u5e73\u8861\u800c\u6046\u5b9a\u7684\u9418\u64fa\uff0c\u65e5\u5fa9\u4e00\u65e5\u3001\u4e0d\u77e5\u75b2\u5026\u5730\uff0c\u885d\u64ca\u8457\u77d7\u7acb\u65bc\u5927\u6d77\u6df1\u8655\u7684\u7901\u77f3\u71c8\u5854\u3002
<\/p>\n\n\n
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\"\"<\/figure><\/div>\n\n\n

[1]. \u7f85\u4f2f\u7279\u2027\u674e\u2027\u4f5b\u6d1b\u65af\u7279<\/span><\/a><\/strong>(Robert Lee Frost, 1874\u5e743\u670826\u65e5-1963\u5e741\u670829\u65e5), \u7f8e\u570b\u8a69\u4eba\u3002<\/p>\n\n\n\n
[2]. \u5404\u5404\u4ed6\u5c71<\/span><\/a><\/strong>(Golgotha, Calvary, \u0393\u03bf\u03bb\u03b3\u03bf\u03b8\u1fb6\u03c2), \u610f\u8b6f\u70ba\u201c\u9ad1\u9acf\u5730\u201d, \u6b64\u5730\u4e43\u662f\u7f85\u99ac\u7d71\u6cbb\u4ee5\u8272\u5217\u6642\u671f\u8036\u8def\u6492\u51b7\u57ce\u90ca\u4e4b\u5c71\uff0c\u64da\u300a\u8056\u7d93\u00b7\u65b0\u7d04\u5168\u66f8\u300b\u4e2d\u7684\u56db\u798f\u97f3\u66f8(\u5982\u99ac\u592a\u798f\u97f327:33, \u7d04\u7ff0\u798f\u97f319:17)\u8a18\u8f09\uff0c\u795e\u7684\u5152\u5b50\u8036\u7a4c\u57fa\u7763\u66fe\u88ab\u91d8\u5728\u5341\u5b57\u67b6\u4e0a\uff0c\u800c\u9019\u5341\u5b57\u67b6\u5c31\u662f\u5728\u9019\u5404\u5404\u4ed6\u5c71\u4e0a\u3002\u591a\u5e74\u4f86,\u201c\u5404\u5404\u4ed6\u5c71\u201d\u9019\u500b\u540d\u7a31\u548c\u5341\u5b57\u67b6\uff0c\u4e00\u76f4\u662f\u8036\u7a4c\u57fa\u7763\u88ab\u5bb3\u53d7\u96e3\u7684\u6a19\u8a8c\u3002<\/p>\n\n\n\n
[3]. \u507d\u7d93<\/span><\/a><\/strong>(Pseudepigrapha, \u03c8\u03b5\u03c5\u03b4\u03ae\u03c2 \u1f10\u03c0\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae), \u610f\u70ba\u201c\u6258\u540d\u5047\u9020\u4e4b\u4f5c\u54c1\u201d, \u4ea6\u4f5c\u79d8\u7d93(\u03b1\u03c0\u03cc\u03ba\u03c1\u03c5\u03c6\u03b1)\u3002\u5728\u57fa\u7763\u5b97\u6559\uff0c\u56e0\u6559\u7236\u6642\u671f\u70ba\u4e86\u7cfb\u7d71\u5316\u795e\u5b78\u5167\u5bb9\u4ee5\u56de\u61c9\u7570\u7aef\u7684\u6311\u6230\uff0c\u4e43\u5c07\u6574\u500b\u57fa\u7763\u5b97\u6559(\u5305\u542b\u5b83\u524d\u8eab\u7336\u592a\u6559\u6642\u671f)\u7684\u7d93\u5178\u5206\u70ba\u6b63\u5178(Canon, \u03ba\u03b1\u03bd\u03ce\u03bd)\u3001\u6b21\u7d93(Deuterocanonical books, \u03b4\u03b5\u03c5\u03c4\u03b5\u03c1\u03bf\u03ba\u03b1\u03bd\u03bf\u03bd\u03b9\u03ba\u03cc\u03c2)\u8207\u507d\u7d93\u4e09\u500b\u5c64\u7d1a\u3002<\/p>\n\n\n\n
[4]. \u99ac\u4e01\u2027\u65af\u79d1\u585e\u65af<\/span><\/a><\/strong>(Martin Scorsese, 1942\u5e7411\u670817\u65e5-), \u8457\u540d\u7f8e\u570b\u96fb\u5f71\u5c0e\u6f14\u3001\u76e3\u88fd\u3001\u7de8\u5287\u3001\u6f14\u54e1\u548c\u96fb\u5f71\u6b77\u53f2\u5b78\u5bb6\uff0c\u4ee3\u8868\u4f5c\u300a\u8a08\u7a0b\u8eca\u53f8\u6a5f(Taxi Driver)\u300b\u3001\u300a\u7d10\u7d04\u9ed1\u5e6b(Gangs of New York)\u300b\u548c\u300a\u7981\u9589\u5cf6(Shutter Island)\u300b<\/p>\n\n\n\n
[5]. \u5c3c\u53ef\u65af\u2027\u5361\u8d0a\u624e\u57fa\u65af<\/span><\/a><\/strong>(\u039d\u03af\u03ba\u03bf\u03c2 \u039a\u03b1\u03b6\u03b1\u03bd\u03c4\u03b6\u03ac\u03ba\u03b7\u03c2, Nikos Kazantzakis, 1883\u5e742\u670818\u65e5-1957\u5e7410\u670826\u65e5), \u5e0c\u81d8\u5c0f\u8aaa\u5bb6\uff0c\u8a69\u4eba\uff0c\u6563\u6587\u548c\u904a\u8a18\u4f5c\u5bb6\uff0c\u8a18\u8005\u3002\u4ee3\u8868\u4f5c\u300a\u5e0c\u81d8\u5de6\u5df4(\u0392\u03af\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1 \u03c4\u03bf\u03c5 \u0391\u03bb\u03ad\u03be\u03b7 \u0396\u03bf\u03c1\u03bc\u03c0\u03ac)\u300b, \u300a\u57fa\u7763\u6700\u5f8c\u7684\u8a98\u60d1(\u039f \u03a4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03c2 \u03a0\u03b5\u03b9\u03c1\u03b1\u03c3\u03bc\u03cc\u03c2)\u300b\u548c\u300a\u5967\u5fb7\u8cfd: \u73fe\u4ee3\u7e8c\u7bc7(\u039f\u03b4\u03cd\u03c3\u03c3\u03b5\u03b9\u03b1)\u300b\u3002<\/p>\n\n\n\n
[6]. \u6492\u65e6<\/span><\/a><\/strong>(\u05e9\u05b8\u05c2\u05d8\u05b8\u05df, \u03a3\u03b1\u03c4\u03b1\u03bd\u1fb6\u03c2, Satan), \u4e9e\u4f2f\u62c9\u7f55\u5b97\u6559\u4e2d\u7684\u90aa\u60e1\u5b58\u5728\uff0c\u6703\u5f15\u8a98\u4eba\u985e\u72af\u7f6a\u6216\u51fa\u932f\u3002\u5728\u57fa\u7763\u6559\u548c\u4f0a\u65af\u862d\u6559\u4e2d\uff0c\u4ed6\u5e38\u88ab\u8996\u70ba\u66fe\u7d93\u5341\u5206\u8654\u8aa0\u4e14\u7f8e\u9e97\u7684\u58ae\u5929\u4f7f\u6216\u93ae\u5c3c\uff0c\u537b\u80cc\u53db\u795e\uff0c\u800c\u795e\u537b\u66ab\u6642\u5141\u8a31\u5b83\u6709\u6b0a\u7d71\u6cbb\u58ae\u843d\u4e16\u754c\u548c\u773e\u591a\u9b54\u9b3c\u3002\u5728\u7336\u592a\u6559\u4e2d\uff0c\u6492\u4f46\u5e38\u4f5c\u70ba\u62bd\u8c61\u6982\u5ff5\u60e1\u7684\u885d\u52d5\u3002<\/p>\n\n\n\n
[7]. \u201c\u4e0a\u5e1d\u6b78\u4e0a\u5e1d\uff0c\u51f1\u6492\u6b78\u51f1\u6492<\/span><\/a><\/strong>(Render unto C\u00e6sar the things that are C\u00e6sar’s, and unto God the things that are God\u2019s. \u1f08\u03c0\u03cc\u03b4\u03bf\u03c4\u03b5 \u03bf\u1f56\u03bd \u03c4\u1f70 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03bf\u03c2 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03b9 \u03ba\u03b1\u1f76 \u03c4\u1f70 \u03c4\u03bf\u1fe6 \u0398\u03b5\u03bf\u1fe6 \u03c4\u1ff7 \u0398\u03b5\u1ff7. [Matthew 22:21]), \u4f86\u81ea\u8056\u7d93\u300a\u5c0d\u89c0\u798f\u97f3(Synoptic Gospels)\u300b\u4e2d\u7684\u300a\u99ac\u592a\u798f\u97f3(Matthew)\u300b\u3002<\/p>\n\n\n\n
[8] \u8036\u7a4c\u88ab\u91d8\u5341\u5b57\u67b6<\/span><\/a><\/strong>(Crucifixion of Jesus, crucifixio), \u5728\u65b0\u7d04\u8056\u7d93\u4e2d\u8a18\u8f09\u7684\u4e8b\u4ef6\uff0c\u5728\u8036\u8def\u6492\u51b7\u7684\u5404\u5404\u4ed6\uff0c\u8036\u7a4c\u906d\u53d7\u5341\u5b57\u67b6\u5211\u7f70\uff0c\u4e26\u56e0\u6b64\u6b7b\u4ea1\u3002<\/p>\n\n\n\n
[9] \u62b9\u5927\u62c9\u7684\u5993\u5973\u746a\u5229\u4e9e<\/span><\/a><\/strong>(Mary Magdalene, \u05de\u05e8\u05d9\u05dd \u05d4\u05de\u05d2\u05d3\u05dc\u05d9\u05ea, \u039c\u03b1\u03c1\u03af\u03b1 \u1f21 \u039c\u03b1\u03b3\u03b4\u03b1\u03bb\u03b7\u03bd\u03ae),\u5728\u300a\u8056\u7d93\u2027\u65b0\u7d04\u300b\u4e2d\uff0c\u88ab\u63cf\u5beb\u70ba\u8036\u7a4c\u7684\u5973\u8ffd\u96a8\u8005\u3002\u7f85\u99ac\u5929\u4e3b\u6559\u3001\u6771\u6b63\u6559\u548c\u8056\u516c\u6703\u90fd\u628a\u5979\u4f5c\u70ba\u8056\u4eba\u3002<\/p>\n\n\n\n
[10]. \u4f7f\u5f92<\/span><\/a><\/strong>(Apostle, \u0391\u03c0\u03cc\u03c3\u03c4\u03bf\u03bb\u03bf\u03c2), \u539f\u610f\u662f\u64d4\u8ca0\u4f7f\u547d\u7684\u4eba\u3001\u50b3\u905e\u4fe1\u606f\u7684\u4eba\u3002\u5728\u57fa\u7763\u6559\uff0c\u662f\u7279\u5225\u7684\u5b97\u6559\u982d\u929c\uff0c\u6700\u65e9\u7528\u65bc\u8036\u7a4c\u6240\u89aa\u81ea\u63c0\u9078\u7684\u5341\u4e8c\u540d\u9580\u5f92\u3002<\/p>\n\n\n\n
[11]. \u80cc\u53db\u8005\u7336\u5927<\/span><\/a><\/strong>(Judas Iscariot, \u05d9\u05d4\u05d5\u05d3\u05d4 \u05d0\u05d9\u05e9-\u05e7\u05e8\u05d9\u05d5\u05ea, \u1fda\u03bf\u03cd\u03b4\u03b1\u03c2 \u1fda\u03c3\u03ba\u03b1\u03c1\u03b9\u03ce\u03c4\u03b7\u03c2), \u8036\u7a4c\u7684\u5341\u4e8c\u4f7f\u5f92\u4e4b\u4e00\uff0c\u88ab\u6307\u8cac\u70ba\u4e86\u9280\u5143\u7684\u8cc4\u8cc2\uff0c\u80cc\u53db\u8036\u7a4c\uff0c\u4f7f\u8036\u7a4c\u88ab\u8655\u6b7b\u3002<\/p>\n\n\n\n
[12]. \u53db\u6559\u8005<\/span><\/a><\/strong>(Apostasy, apostas\u012da, \u1f00\u03c0\u03bf\u03c3\u03c4\u03b1\u03c3\u03af\u03b1, [12]), \u6309\u7167\u57fa\u7763\u6559\uff0c\u53db\u6559\u5c31\u662f\u80cc\u68c4\u6216\u53cd\u53db\u4e0a\u5e1d\u3002\u6709\u4e9b\u53db\u6559\u8005\u6703\u81ea\u7a31\u8a8d\u8b58\u4e26\u4e8b\u5949\u4e0a\u5e1d\uff0c\u537b\u62d2\u7d76\u63a5\u53d7\u67d0\u4e9b\u6216\u5168\u90e8\u300a\u8056\u7d93\u300b\u6240\u63d0\u51fa\u4e4b\u6559\u7fa9\u3002<\/p>\n\n\n\n
[13]. \u6bcf\u4e00\u90e8\u6b77\u53f2\u90fd\u662f\u4e00\u90e8\u7576\u4ee3\u53f2<\/span><\/strong>(ogni vera storia e storia contemporanea), \u8a9e\u51fa\u7fa9\u5927\u5229\u54f2\u5b78\u5bb6\u8c9d\u5167\u5fb7\u6258\u00b7\u514b\u7f85\u9f4a<\/a><\/strong>(Benedetto Croce)\u4e4b\u8457\u4f5c\u300a\u6b77\u53f2\u5b78\u4e4b\u7406\u8ad6\u8207\u6558\u4e8b<\/a><\/strong>(Teoria e storia della storiografia)\u300b(Seconda edizione riveduta BARI, GIUS. LATERZA & FIGLI Topogra -Editori-Librai, 1920, P. 4-P. 5)

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This article was first published on WeChat official account: \u4eba\u9762\u9b5aFisage, co-authored by me and my wife, it has been revised since then.<\/em><\/p>\n\n\n\n
There are certainly three times that you can change the destiny of your life, at least...<\/pre>\n\n\n
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\u2026Sand after sand, a lonely man is walking in the desert, what is he searching? Is it dream, is it future, is it life, is it exploration, is it love, or is it something unknown?<\/p>\n\n\n\n
He walks through the desert, cross the market, among the people, like a prophet from the mountains going down to the floating mundane world, sharing the visions in his eyes of spirit.<\/p>\n\n\n
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After thirties, many men, with their glamorous, splendid dreams in the younger days fading away like rainbows, those old pursuits and dreams entangled and mixed in the noisy crowds. The dust and dirt of life, the daily routines and daily messies, have deeply, silently penetrated and infused into their hearts and souls, devouring inside. The bygone insistence and distain, are shallowed by the messies, the borings, the mundanes and the mediocres of the daily life. The sharpness and brightness of the younger days, are flattened and blunted in the chatting and gossiping of the common people, just like the round, smooth pebbles on the river bed: harmless, smooth, flat, delicate, obtuse, one like another, characterless, all those once brilliant, vivid colours are all covered and mossed by the same dull shades of grey.<\/p>\n\n\n
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Perhaps, at the midnight, some may be awake from the nightmares, some may be shocked in the shivering sunshine at the twelve noon. Some may be anxious by their face and countenances at the present, stroke by the fact that they have become someone they once disliked and disgusted the most. Little by little, dyed with those dark, matt colours by the time and mundane world, just as the forsaken, dusty, ancient mirrors in the shadow of a deserted, secret, forgotten, dark chamber.<\/p>\n\n\n
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Some may be renaissant and revive at once, cut and refuse the messies of the daily life from this moment forward, retaking their dreams from their younger days. Though much more will only murmur a few words to themselves then sink into the mediocre, messies and illusive pleasures of their daily life once again after the initial apostolic flashy shock as the thunder. There are certainly three times that you can change the destiny of your life, at least. <\/span><\/strong>When you aware and realize the stings and pains between your ideal life and the rigid, stubborn real life, you may be just standing at the cross roads of your fate.
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The Road Not Taken<\/p>\n\n
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;<\/p>\n\n
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,<\/p>\n\n
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.<\/p>\n\n
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I —
I took the one less traveled by,
And that has made all the difference.
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by Robert Frost [1]<\/p>\n\n
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The story of Jesus going up to Golgotha<\/strong>(Calvary, \u0393\u03bf\u03bb\u03b3\u03bf\u03b8\u1fb6\u03c2, [2]) has been told and sung for countless generations, besides the Pseudepigrapha<\/strong>(\u03c8\u03b5\u03c5\u03b4\u03ae\u03c2 \u1f10\u03c0\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae, [3]) and common folklore, Martin Scorsese\u2019s<\/strong> [4] film has had a great impact on the societies and has stirred waves of controversies when it released. The film was banned or censored for several years in many countries with high population of Christianity, even its name was on the list of prohibition once. Besides the shocking and striking plot based on Nikos Kazantzakis\u2019<\/strong>(\u039d\u03af\u03ba\u03bf\u03c2 \u039a\u03b1\u03b6\u03b1\u03bd\u03c4\u03b6\u03ac\u03ba\u03b7\u03c2, [5]) famous novel with the same title, Scorsese also depicted Christ as a ordinary, fleshy man with all the weakness of the mankind, who was pushed onto the route of “Son of God<\/strong>” by some unknown prophecies, without recognizing the disguise of Satan<\/strong>(\u05e9\u05b8\u05c2\u05d8\u05b8\u05df, \u03a3\u03b1\u03c4\u03b1\u03bd\u1fb6\u03c2, [6]). This is, for those faithful and devout Christians with holy, inviolable belief, kind of blasphemy and violation, a shit on the face. I still remember, the first time when I played this film in the classroom, a Christian boy stood up and came to stop me. But \u201crender unto C\u00e6sar the things that are C\u00e6sar’s, and unto God the things that are God\u2019s.<\/strong> <\/span>(\u1f08\u03c0\u03cc\u03b4\u03bf\u03c4\u03b5 \u03bf\u1f56\u03bd \u03c4\u1f70 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03bf\u03c2 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03b9 \u03ba\u03b1\u1f76 \u03c4\u1f70 \u03c4\u03bf\u1fe6 \u0398\u03b5\u03bf\u1fe6 \u03c4\u1ff7 \u0398\u03b5\u1ff7. [Matthew 22:21], [7])\u201d Every heroic legend will be interpreted and explained in every new era. In this pleasing, abundant visual banquet of our times, why not have another interpretation for a conventual legend? Art itself should challenge the formal rules and authorities \u2014 without free expression, how will creation be possible?<\/span><\/strong><\/p>\n\n\n
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After experiencing exile, abandon, imprisonment, threat of death and humiliation, Jesus Christ went onto Golgotha with cross on his back, the one he once built for others. When he suffered from the crucifixion<\/strong>(crucifixio, [8]), Satan came to tempt him in form of an angel, guiding him to meet Mary Magdalene<\/strong>(\u05de\u05e8\u05d9\u05dd \u05d4\u05de\u05d2\u05d3\u05dc\u05d9\u05ea\u200e, \u039c\u03b1\u03c1\u03af\u03b1 \u1f21 \u039c\u03b1\u03b3\u03b4\u03b1\u03bb\u03b7\u03bd\u03ae, [9]) he married her and started a daily, ordinary, family life with her. Until his last breath, his twelve Apostles<\/strong> (\u1f00\u03c0\u03cc\u03c3\u03c4\u03bf\u03bb\u03bf\u03c2, ap\u00f3stolos, [10]) appeared, broke the illusions and tricks of Satan. Then Jesus Christ realized that all the scenes in his daily life are just a little trick and dream created by the D\u00e6mon<\/strong>. When he opened his eyes on the cross once again, his legend was written, and the theatre was done.<\/p>\n\n\n\n
Interestingly, besides Merry Magdalene and Jesus Christ, the betrayer Judas Iscariot<\/strong> (\u05d9\u05d4\u05d5\u05d3\u05d4 \u05d0\u05d9\u05e9\u05be\u05e7\u05e8\u05d9\u05d5\u05ea, \u1fda\u03bf\u03cd\u03b4\u03b1\u03c2 \u1fda\u03c3\u03ba\u03b1\u03c1\u03b9\u03ce\u03c4\u03b7\u03c2, [11]), is a vivid yet honest character. From an assassin trying to murder Jesus, then his first fellow, faithful and loyal defender and warrior, and the final \u201cbetrayer<\/strong>(Apostasy, apostas\u012da, \u1f00\u03c0\u03bf\u03c3\u03c4\u03b1\u03c3\u03af\u03b1, [12])\u201d forming the great, saint, holy Jesus Christ, he is a passionate yet tragic persona. His initial angries, doubts, then faith and the final loyal words makes him a key character through the plot, whose importance is second to that of Jesus Christ. If every history is a contemporary history(ogni vera storia e storia contemporanea, [13]), why not every legend become another contemporary legend?<\/span><\/strong><\/p>\n\n\n\n
Jesus experienced puzzles, angst, faith, doubts and evades, he wondered in the desert, searching for enlightenment; he preached in the crowds, gathering believers; he roared in the temples, arising the anger of the people; he experienced the temptation of power, wealth and fame, and finally, at the moment of his crucifixion, the common daily life successfully tempted him and made him sink into it. All in all, the usual, daily path that common people take is the most tempting and corroding one.<\/span><\/strong> All the power, wealth and fame are just some additional vibrant, vivid colours and sparks of life itself, like the beautiful, splendid bubbles of waves in the hot, golden sunshine. Only the endless common daily life, like the tides and waves, like the eternal pendulums, striking the reef and beacon standing in the deep ocean, endlessly, tirelessly, indefinitely.
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[1]. Robert Lee Frost<\/span> <\/a><\/strong>(March 26, 1874 – Jan. 29, 1963), American poet.<\/p>\n\n\n\n
[2]. Golgotha<\/span><\/a><\/strong> (Calvary, \u0393\u03bf\u03bb\u03b3\u03bf\u03b8\u1fb6\u03c2), the place where Jesus Christ suffered from crucifixion.<\/p>\n\n\n\n
[3]. Pseudepigrapha<\/span><\/a><\/strong> (\u03c8\u03b5\u03c5\u03b4\u03ae\u03c2 \u1f10\u03c0\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae) are falsely-attributed works, texts whose claimed author is not the true author, or a work whose real author attributed it to a figure of the past.<\/p>\n\n\n\n
[4]. Martin Charles Scorsese<\/span><\/a><\/strong> (Nov. 17, 1942-) is an American director, producer, screenwriter, actor, and film historian, his famous films are \u201cTaxi Driver,\u201d \u201cGangs of New York\u201d and \u201cShutter Island.\u201d<\/p>\n\n\n\n
[5]. Nikos Kazantzakis<\/span><\/a><\/strong> (\u039d\u03af\u03ba\u03bf\u03c2 \u039a\u03b1\u03b6\u03b1\u03bd\u03c4\u03b6\u03ac\u03ba\u03b7\u03c2, 18 Feb. 1883 \u2013 26 Oct. 1957) was a Greek writer and poet, celebrated for his novels and poetry, which include \u201cZorba the Greek (\u0392\u03af\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1 \u03c4\u03bf\u03c5 \u0391\u03bb\u03ad\u03be\u03b7 \u0396\u03bf\u03c1\u03bc\u03c0\u03ac),\u201d \u201cThe Last Temptation of Christ (\u039f \u03a4\u03b5\u03bb\u03b5\u03c5\u03c4\u03b1\u03af\u03bf\u03c2 \u03a0\u03b5\u03b9\u03c1\u03b1\u03c3\u03bc\u03cc\u03c2)\u201d and \u201cThe Odyssey: A Modern Sequel(\u039f\u03b4\u03cd\u03c3\u03c3\u03b5\u03b9\u03b1).\u201d<\/p>\n\n\n\n
[6]. Satan<\/span><\/a><\/strong> (\u05e9\u05b8\u05c2\u05d8\u05b8\u05df, \u03a3\u03b1\u03c4\u03b1\u03bd\u1fb6\u03c2), also known as the Devil, is an entity in the Abrahamic religions that seduces humans into sin or falsehood.<\/p>\n\n\n\n
[7]. \u201cRender unto C\u00e6sar the things that are C\u00e6sar’s, and unto God the things that are God\u2019s.<\/span><\/a><\/strong> (\u1f08\u03c0\u03cc\u03b4\u03bf\u03c4\u03b5 \u03bf\u1f56\u03bd \u03c4\u1f70 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03bf\u03c2 \u039a\u03b1\u03af\u03c3\u03b1\u03c1\u03b9 \u03ba\u03b1\u1f76 \u03c4\u1f70 \u03c4\u03bf\u1fe6 \u0398\u03b5\u03bf\u1fe6 \u03c4\u1ff7 \u0398\u03b5\u1ff7. [Matthew 22:21])\u201d, the beginning of a phrase attributed to Jesus in the synoptic gospels.<\/p>\n\n\n\n
[8]. The crucifixion of Jesus<\/span><\/a><\/strong> (crucifixio) occurred in 1st century Judea, most probably between the years 30 and 33 AD. Jesus’ crucifixion is described in the four canonical gospels, referred to in the New Testament epistles, attested to by other ancient sources, and is established as a historical event confirmed by non-Christian sources, although, among historians, there is no consensus on the precise details of what exactly occurred.<\/p>\n\n\n\n
[9]. Mary Magdalene<\/span><\/a><\/strong> (\u05de\u05e8\u05d9\u05dd \u05d4\u05de\u05d2\u05d3\u05dc\u05d9\u05ea\u200e, \u039c\u03b1\u03c1\u03af\u03b1 \u1f21 \u039c\u03b1\u03b3\u03b4\u03b1\u03bb\u03b7\u03bd\u03ae), iterally translated as Mary the Magdalene or Mary of Magdala, is a figure in Christianity who, according to the Bible, traveled with Jesus as one of his followers. She is said to have witnessed Jesus’ crucifixion and resurrection.<\/p>\n\n\n\n
[10]. Apostle<\/span><\/a><\/strong> (\u1f00\u03c0\u03cc\u03c3\u03c4\u03bf\u03bb\u03bf\u03c2, ap\u00f3stolos, ‘one who is sent away’), The word in this sense derives from New Testament Greek and was used for the original Twelve Apostles of Jesus, as well as a wider group of Early Christian figures including Paul.<\/p>\n\n\n\n
[11]. Judas Iscariot<\/span> <\/a><\/strong>(\u05d9\u05d4\u05d5\u05d3\u05d4 \u05d0\u05d9\u05e9\u05be\u05e7\u05e8\u05d9\u05d5\u05ea, \u1fda\u03bf\u03cd\u03b4\u03b1\u03c2 \u1fda\u03c3\u03ba\u03b1\u03c1\u03b9\u03ce\u03c4\u03b7\u03c2, died c. 30\u201333 AD) was, according to the New Testament, one of the twelve original disciples of Jesus Christ, and son of Simon Iscariot (only mentioned in John 6:71 and John 13:26). He is known for the kiss and betrayal of Jesus to the Sanhedrin for thirty silver coins. His name is often used synonymously with betrayal or treason.)<\/p>\n\n\n\n
[12]. Apostasy<\/span><\/a><\/strong> <\/span>(\u1f00\u03c0\u03bf\u03c3\u03c4\u03b1\u03c3\u03af\u03b1, apostas\u012da), formal disaffiliation from, abandonment of, or renunciation of a religion by a person. It can also be defined within the broader context of embracing an opinion that is contrary to one’s previous religious beliefs.<\/p>\n\n\n\n
[13]. Ogni vera storia e storia contemporanea<\/span><\/strong>, from Italian philosopher Benedetto Croce’s<\/a><\/strong> “Theory and History of Historiography (Teoria e storia della storiografia<\/a><\/strong>)”, (Seconda edizione riveduta BARI, GIUS. LATERZA & FIGLI Topogra -Editori-Librai, 1920, P. 4-P. 5)<\/p>\n\n\n\n
\u8072\u660e: \u672c\u7bc7\u539f\u5716\u4f86\u81ea\u96fb\u5f71\u300a\u57fa\u7763\u6700\u5f8c\u7684\u8a98\u60d1(The Last Temptation of Christ)\u300b\u622a\u5e40\uff0c\u97f3\u6a02\u4f86\u81ea\u5361\u723e\u00b7\u5967\u723e\u592b(Carl Orff)\u7684\u300a\u5e03\u862d\u8a69\u6b4c(Carmina Burana)\u300b\u7684\u7b2c11\u9996\uff0c\u201c\u5c0f\u9152\u9928: \u6211\u7684\u5fc3\u9748\u5728\u71c3\u71d2(In Taberna: Estuans Interius)\u201d, \u6307\u63ee: \u8a79\u59c6\u65af\u00b7\u840a\u6587(James Levine), \u829d\u52a0\u54e5\u4ea4\u97ff\u6a02\u5718\u53ca\u5408\u5531\u5718(Chicago Symphony Chorus and Orchestra), Deutsche Grammophon, DG STEREO 415 136-2 GH, Polygram, Polydor International GmbH, 1985, \u540d\u8a5e\u89e3\u91cb\u4f86\u81ea\u300a\u7dad\u57fa\u767e\u79d1\u5168\u66f8(Wikipedia)\u300b, \u5176\u4ed6\u6587\u5b57\u3001\u5716\u7247\u53ca\u7ffb\u8b6f\u5747\u70ba\u539f\u5275\uff0c\u8acb\u52ff\u7528\u65bc\u5546\u696d\u7528\u9014\uff0c\u8b1d\u8b1d!
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